My stay in Cairo has coincided with the world famous Ahlan Wa Sahlan dance festival. It’s run by the (self-proclaimed) queen of Raqs Sharqi in Egypt, Raqia Hassan. It lasts a week and there are lots of workshops by a wide variety of dance teachers and attracts dancers from all over the world! It’s huge! I attended the festival in 2004 and participated in some of the crowded and overpriced classes. It was that experience that led me to return to Cairo in 2005 and 2006 to take private dance lessons from the same people who teach in the
mahragaan (festival). The festival is a good experience and I’m glad I did it once but I did not feel the need to take any of the workshops this time. However, I did score a ticket to the opening gala! For a passionate yet budget-minded dancer like me, it is the best deal for seeing the stars of
raqs sharqi in Cairo! For less than $100 I got to see Soraya, Randa, and Dina perform with their full bands in one night!!
Soraya opened the show. She is just so cute and a damn good dancer too. Petite yet powerful, you can tell she works out because she has no body fat. She is known for her drum solos and this one certainly did not disappoint. This year she even picked up a drum and played a bit with her band. I could do without all of her lip synching, though. It’s great that she knows the words to her songs, but half of the time I felt like I was watching the Egyptian version of “Puttin’ on the Lips” instead of a dance show. But I’m just being very nit picky about her show. Other than that it’s a great show and her costumes are fabulous.
Randa was second. Her fame is growing wildly as she has been developing her own style. She is a master technician of the movements, a real artist, and leads her band well. I was happy to see Randa dance with a cane, too, though she didn’t use it much. She would deliver a powerful performance, hit it out of the park with her strong shimmies, and really command the stage with her presence, and when it’s over she’d become humble pie with her meek and appreciative bow. I love that! I was seated with Eman Zaki who had designed 2 of the 4 costumes Randa performed in at the opening gala, so my table was especially raucous and enthusiastic during her show. With Eman’s designs, Randa’s costumes have improved a lot! In the past her costumes had been, frankly, ill-fitting and unflattering. But Eman is a master of making designs that will enhance the dancer’s body type. (Most of my costumes have been designed by Eman Zaki and I think they look fabulous!) I felt so cool after Randa’s performance when she gave a big shout out to Eman and the spotlight shone on our table. It was like I finally got to sit with the popular people!
Dina went on last. I hadn’t seen her live since the Ahlan Wa Sahlan opening gala in 2004 and I had heard that her dance had really grown and improved. She is the mama of the modern style that most of the dancing stars emulate. That means that both Soraya and Randa have been strongly influenced by her. In the past I’d have called either one of them Dina-light, but each has come into her own dance expression. Still, Dina would have to really win the audience over with something new or it would look like the same style three times in a row. And it did! Dina is certainly a master of what she does, but by the time she went on I felt like I had seen the same moves and moods already. Plus Dina’s repertoire these days seems very limited. She performed in 4 different costumes and yet I felt as if each of her routines was the same as the one before it. One of her costumes looked like her intestines had exploded out of her bum and onto her bra. Yeah, it was bizarre. Though her style has truly influenced all modern day ra’aasahs (dancers) including myself, her shows never really moved me.
I’m so glad I got to see these three big influential dancers LIVE on my trip! The costumes, the music, the production value give me inspiration to be my best! Listening to a 22-piece Arabic band play the songs and music that I love so much is treat. That’s what dancers in the U.S. would love to experience—dancing with a full band and being able to direct it just like the dancers do in Egypt. I could tell them where to put some strong teks for my accents, let the qanun taqsim linger longer, play an extra bridge here, let the melody take over there, speed up or slow down the tempo. That would be awesome! In the Bay Area, you’re lucky to dance to a keyboardist who may or may not know the songs you ask for. Sigh…
Anyway, I had a great time! I saw some other Bay Area dancers there, re-connected with Mohamad Shahen, said hi to Jillina and Hala, and shared a seat with Karim Nagi. I also had my photo taken with Nagwa Fouad, Mo Gedawi, and Randa by the hired paparazzi. Unfortunately because of AWS's strict no-camera policy, I couldnt record any of it on my own camera. You'll have to take my word for it!